Offenbach’s The Tales of Hoffmann is known for its complexity, but Damiano Michieletto’s latest production manages to bring a visually stunning and coherent approach to the narrative of Hoffmann’s character development through his love affairs. Michieletto’s production is filled with rich cultural references and fantastical ideas that captivate the audience from start to finish.
From the opening scene in Luther’s tavern, Michieletto’s attention to detail is evident. The presence of candy-green fairies and the Muse, played by Christine Rice, adds a whimsical touch to the production. The choreography by Chiara Vecchi, which includes dancers with mouse heads, pays homage to classic Hoffmann stories like The Nutcracker and the Mouse King.
Throughout the performance, Michieletto’s creativity shines through. Characters like Nicklausse, played by Julie Boulianne, are reimagined as a parrot, while Olympia is surrounded by mathematical symbols in Professor Spalanzani’s classroom. The transformation of Antonia and her mother into ballerinas adds a new layer of depth to their characters, enhancing the emotional impact of their story.
The costumes for the Venetian masked ball are a visual feast, with Giulietta’s gold ensemble stealing the show. Marina Costa-Jackson’s elegant portrayal of Giulietta is a highlight of the production, complemented by the stunning choreography and stage design.
Juan Diego Flórez’s portrayal of Hoffmann is a masterful display of vocal and emotional range. As the character ages throughout the performance, Flórez’s voice and temperament evolve, capturing the essence of each love affair with precision. His chemistry with Ermonela Jaho, who plays Antonia, is particularly moving, showcasing their dynamic range and emotional depth.
Alex Esposito’s portrayal of the Four Villains is a standout performance, blending vocal beauty with captivating body language. The trio of sopranos, including Olga Pudova, Ermonela Jaho, and Marina Costa-Jackson, deliver powerful and emotionally resonant performances that elevate the production to new heights.
The orchestral accompaniment, under the direction of Antonello Manacorda, provides a vivid backdrop to the on-stage drama. While some may find the pacing of the production to be slow at times, the overall impact of Michieletto’s staging and the exceptional vocal performances make it a must-see production.
Overall, Michieletto’s new production of The Tales of Hoffmann is a visual and auditory delight that showcases the talent and creativity of all involved. Whether you’re a fan of opera or looking for a captivating theatrical experience, this production is not to be missed. Be sure to catch it on its current tour, as it promises to be a memorable and enchanting performance.